الرمزية في رسومات الإنسان البدائي

الملخص EN

Sibiological studies (speleology) recorded their last and most important discoveries between 1991-2001, through the announcement of a group of caves dating back to the Paleolithic era, and thus reopened the door to palaeoartological studies (Stone Age arts) again.

These caves include a rare collection of cave paintings that add new and unexpected knowledge to what was previously explored throughout Europe, which would expand and diversify our knowledge of cave art, as well as reveal new functions, goals, means, technologies and topics that were not previously known in studies.

Palaeoartology.

Therefore, the main research problem from which we start is determined by the symbolism through which we can reformulate the cognitive image of the research topic with an objective vision, and a comprehensive extrapolation of the recent archaeological discoveries and what they achieve from the addition due to each new knowledge, and what can result from the disclosure of new aspects that will inevitably be added.

Cognitive facts that may confirm and confirm the results of previous knowledge or may change and investigate or displace other, and here we must say that confirming facts in such a field is no less important than disclosing them, let alone changing them.It included primitive drawing and the effect of (symbolism) in cave paintings, with the help of some pictorials.

As for the third topic (Symbolic Signs in Neanderthal Drawings), and in this topic the researcher showed the most important symbolic connotations in cave drawings and the works of art left by primitive man, while the third axis included research procedures that included the research community, its sample, the research tool and its methodology, as well as the analysis of his adult sample.

(5) From Musawarat al-Caves.

As for the fourth and final axis, it included presenting the results of the research, discussing them and its conclusions reached by the current research, as well as recommendations and proposals.

Among the findings of the researcher are1.

The indication of the existence of an artistic incentive, and what is supported by the presence of an internal moral incentive, so we notice the drawings, which were executed on the high ceilings of the cave, as we find suffering and hardship in their implementation.

1-The indication of the existence of an artistic incentive, and what is supported by the presence of an internal moral incentive, so we notice the drawings, which were executed on the high ceilings of the cave, as we find suffering and hardship in their implementation.

2-Abstract connotations and concepts of things, and imaginative perceptions, as myth became the spiritual nourishment, and these spiritual perceptions were embodied in a specific form and structure with characteristics related to the nature of the internal thing, and his interest in the form that expresses the essence, which is the symbolic form.