إسلوب الاستفهام و أثره في الهيكل البنائي و الدلالي في رسالة التربيع و التدوير للجاحظ

الملخص EN

The study aims to explore the use of the questioning method in Risalit Altarbee’ Wa Altadweer for Al-Jahiz and its effect in the aesthetic, semantic and constructive structure.

The paper tries to add authentic and new information to the previous studies about Al-Jahiz.

The study depends – in general- on the stylistic method by using many of its tools in analysis and description.

The present study first shows the linguistic phenomenon then it analyzes it to find out its aesthetic components.

The present study also used tools of the pragmatic theory and other means of discussion that have relation with Risalit Al-Jahiz.

The study also reduces the theoretical background -as possible- through having a general comprehensive look on Risalit Altarbee’ Wa Altadweer as a complete artistic work, then it preseuted asecond detailed look on the components of Alresaleh.

The study showed that the questioning method in Risalit Altarbee Wa Altadweer has three core jobs: first, constructive, second, semantic and third musical.

The study also noticed the deep relation between the metaphorical meanings of the questioning method which are understood through the context and what Abd Alqahir Aljurjani called (the meaning of the meaning) in (the theory of construction).

The study also noticed the deep relation between (the meaning of the meaning) and some components of the pragmatic theory.

It also noted that Risalit Al-Jahiz was built on questioning clusters and that Al-Jahiz used the questioning method as a stylistic tool and a linguistic expressive trick (where it becomes an aesthetic deceptive trait ) that makes the reader concentrate on outstauding linguistic outcomes that have folded semantic effects and provokes the reader to think and contemplate.