صورة القدس في ديواني (القدس المفترسة)‎ لشولاميت هارئيفين و (أحبك أو لا أحبك)‎ لمحمود درويش : دراسة سيميائية مقارنة

الملخص EN

Called to this approach by the vicious circle of endless wars, and the exposure of the illusion of the utopian city drawn by Zionism, while it turned out that it was nothing more than a mirage ; of this generation was the Israeli poet Shulamit Harivin.

her Diwan (the predatory Jerusalem) is one of the first pages in the early series of Israeli protest poetry, before the actual beginning of what was later called (protest literature) ; in it, Shulamit painted a picture of a dream city that became a nightmare.

on the other hand, the voice of the Palestinian rejection had to respond to the Israeli rejection.

it was the collection of the Palestinian poet Mahmoud Darwish (I love you or not love you), which represents Darwish’s sixth collection of poetry and the beginning of his entry into the world of prose poem ; the Diwan bears a similar case to what Shulamit Harivin raised of the Palestinian self-pity, and the same question that Shulamit posed in some of her poems in the divan (Jerusalem is predatory).

what kind of city is Jerusalem ? is it the beloved city, or is it the city that is cruel to its loved ones, which makes them pay the price for its love ? here, the image of the city itself becomes dependent on the cultural and intellectual patterns and the subjective experience that make up the poet's conscience.

both Shulamit and Darwish lived in Jerusalem ; and each of them sees in it his home in which he admonishes him and rebukes the harsh conditions in it, for each of them in Jerusalem is a lost dream, and a lover who has been hidden by wars ; this allows the semiotics of the image to play its role in the semantic lesson, so that the poem becomes a fountain that explodes with connotations, and Jerusalem becomes a multifaceted symbol.