التناص القراآني في موشحات و أجزال أبي الحسن الششتري : الشاعر الصوفي الكبير في-الأندلس و المغرب

الملخص EN

This study dealt with the Qur'anic dissonance in Mushhat and The Ezgal Abu Hassan Al-Shastri, the great Sufi poet in Andalusia and Morocco.

It aimed to know the concept of the poet's dissonance, whether textual, indicative or anecdotal, and thus to identify the general topics in which the textualization was clear.

The poet's artistic composition in terms of: The Qur'anic word, the Qur'anic comma.

The study took the integrative approach (historical and descriptive analytical).

The study reached many conclusions, including: Al-Shastri was a pan in the textual text, and was frequently guided by it with its clear focus on the breaks of the Qur'an, and relied on the Qur'anic word, which distinguishes its syntahs and mixtures and raises their transcendence and status.

The meditator of his paintings and his involvement finds that the owner has leaned on hadith, Islamic history and aesthetic values as well, so the research recommends studying these phenomena in other specialized research