أوهام الغذامي : مقاربة نقدية ثقافية

الملخص EN

Our research tagged with (illusions of al-Ghadami) is classified as a critique of criticism, and we approached al-Ghadami's alleged (cultural) project with a cultural approach, by examining the critical implications that al-Ghadami presents in his book (cultural criticism : reading in the Arab cultural forms), as well as examining al-Ghadami's (modernist) allegations in in his book (the tale of modernity in the kingdom of Saudi Arabia), we browsed through the pages of these two books, and examined the details of al-Ghadami's speech to reveal its contradictions.

in the first level, we revealed the dogmatism of al-Ghadami's critical discourse, and its contradiction with the statements of cultural criticism in a detailed and accurate manner, and we reinforced this with a detailed table in which we picked up the vocabulary of al-Ghadami's dogmatic discourse.

in the second level of research : we observed one of al-Ghadami's remarkable paradoxes, which is his frequent referrals to Geertz and his opposition to him at the same time, as Geertz chose religion as the highest embodiment of culture ; while al-Ghadami claims that poetry is the most important thing in Arab culture and at this level of application-also-we traced al-Ghadami's (cultural) assessment of al-Jahiz, where he praised him a lot.

for power, as al-Ghadami claims.

on the third level : the level of the rationale for al-Ghadami's speech, we tracked these facts carefully, revealing his clash with some of his colleagues in his (cultural) battle.

the research at this level revealed that al-Ghadami's book, which is tagged with (the story of modernity), is closer to personal notes than to a sober scientific book, as it is devoid of real references to references.

in this book, al-Ghadami confuses the subjective with the objective, or what is supposed to be objective ; the research also revealed how al-Ghadami tried to underestimate the leadership of the mark Ali al-Wardi.