الرمز في شعر نجاح إبراهيم : دراسة أسلوبية

الملخص EN

The symbol in the poetry of Najah Ibrahim, a stylistic study if we browse the Diwan of Modern Arabic Poetry, we will find that the poetic code includes symbolism and symbolism in various directions of the poem, whether it is vertical, active, or prose.

and rhyme, so modern poetry is branded by some poets as being symbolic ; due to the frequent use of symbols, whether mythological, religious, literary, historical, heritage and contemporary, we see that this employment proceeds in two ways : the first : the use of the symbol without awareness, awareness and knowledge, and this is what forms from it a poetic whirlwind and anxiety in the texts presented by the poet / e, and it is reprehensible, intrusive and clear to the specialist, critic and others.

the second : it is the reasonable and deep use of the symbol so that it comes together in the poetic experience as a whole so that it becomes part of the overall structure and the internal fabric of poems and diwans, which is what was filled with the collections of great poets such as Al-Siyab, Darwish, Al-Bayati and others.

these poets were inspired by the western experiences of Baudelaire, Mallarmé and others, but they were not copyists.

or imitators, but they have their own experiences and awareness that distinguishes them from other poets so what is the symbol ? and what are its types ? and how was it formed in the poetry of the poet, Najah Ibrahim ? what are the most important symbols that the poet used to present her experience ? and what is its symbol space ? did he form a distinct stylistic structure so that it could be considered a dominant structure in the poetic experience of it ? these and other questions we will discuss in the achievement of the poet Najah Ibrahim from the perspective of style and stylistics.