البنى الأسلوبية الموثبة في شعر ما قبل الإسلام : الحقول الدلالية أنموذجا

الملخص EN

This research deals with the poetry of agitation in pre-Islamic literature as an important phenomenon worthy of study and attention.

poetry was the poet's media and influence means, through which he recorded his cultural identity, originality and stances on the level of expression and art.

our approach comes to the poetry of agitation according to the stylistic approach as a neutral critical approach, distinguished by its ability to reveal the statement of the style, its characteristics and the structures operating in it, in order to reveal the aesthetic and artistic implications, according to objective criteria that provide the student with what the structure of texts, their components and their latent semantic shipments present.

in this research, we chose the poems that relate to the semantic fields represented by the Arab days field, the woman’s field, the horse field, the nature field, the time field, and the function they perform in terms of producing meaning and their most prominent stylistic dominances and semantic units.

one of the most prominent results of the research: the affiliation of agitation poetry to multiple semantic fields, which was caused by the rich words that varied and differed according to the required recitation context, so that the stylistic strikes needed by the text, as the field of Ayyam Al-Arab formed a rich material in the texts of agitation ; because of its great stylistic influence on the recipient, and the field of women was one of the fields that had the most influence on the agitation connotation, and the semantic field of horses stemmed from the value and importance of horses among the Arabs.

the field of nature is important in the text of the agitation as a stylistic sign, because of its impact on documenting the names of the different places that the text sometimes mentions, and expresses what will happen in them at other times.