سيميائية الجسد المعاق في العرض المسرحي : ثلاث مسرحيات مختارة أنموذجا

الملخص EN

This study aims to read the theatrical performance presented by actors with special needs.

moreover, how it is possible to understand the implications of these performances semiotically and any indications of disability in the theatre from the point of view of this approach.

and how the symbol is formed or destroyed by the presence of the disabled actor in roles that do not represent the disability and any iconic symbols that can be read in a way direct and symbolic.

this study selected three performances, the first of which is an American, the second is an Egyptian, and the third is Algerian, all of which are presented by disabled people with varying disabilities.

the study concluded that physical disability separates the personality and the role, breaking the illusion that the three performances are attempting to achieve, and that the use of sign language contributes to the inclusion of the disabled audience in art and encourages them to watch the performances.

however, it detracts from the show's structure, diminishes its artistic credibility, and creates a clear semantic chaos.

this means that, to the extent that its studies have expanded, the semiology of the actor has not been able to transcend the connotations of reality, as the audience places its socially familiar signs to drop them on the show in line with its cultural reference.