مفهوم التناص في التشكيل النحتي العالمي المعاصر

المؤلف

منخي، أحمد خليف

المصدر

مجلة فنون البصرة

العدد

المجلد 18، العدد 20 (31 ديسمبر/كانون الأول 2021)، ص ص. 35-66، 32ص.

الناشر

جامعة البصرة كلية الفنون الجميلة

تاريخ النشر

2021-12-31

دولة النشر

العراق

عدد الصفحات

32

التخصصات الرئيسية

الفنون

الملخص EN

The current research is as follows : the first chapter, which included the problem of research, which was accompanied by the following question: is the correlation has had the greatest impact in the achievement of the plastic world.

the aim of the research is to reveal the symmetry in contemporary grammatical composition the limits of the research included temporal limitation from 2015 to 2019 and the spatial limit was limited to Europe and America.

the importance of research lies in the attempt to reveal the convergence of the global creative achievement of contemporary artists.

the first chapter deals with the concept of knowledge and how it works.

the term "harmony", which was present in its present sense by Julia Kresteva, is the result of its study of the Russian critic Bakhtin, who preceded Christina for this term.

the term was given to him through a study of Russian artistic works as well as follow-up in this subject, critics and specialists on this subject, such as Todorova, Bart and Genette, etc.

this topic also dealt with how the exercise or mechanism that operates the term of convergence in the field of human knowledge.

the second topic dealt with the differences in ancient civilizations namely Iraq, Egypt and the Greeks.

the third topic dealt with the mechanism of the work of harmonization in the formation of contemporary global grammar through the study and review of the work of artists European and American through the ways they deal with various means of expression and methods of achievement and means of employment and presentation of different directions and visions of art The third chapter dealt with the research procedures through the research community, which counted (50) works of art completed from the period 2015 to 2019 in Europe and America.

The sample of the research, which summarized (6) samples was chosen in an intentional manner consistent with the question of the problem and the objective of the research either the research method adopted descriptive analytical method.

then search results and part of them : 1- gave openness openness and non-closure through the multiple reading of the technical achievement.

2- was a clear contrast, but djn style of personal artist became harmonious harmony consistent unity in the framework of the work of art.

3- the fragmentation and dispersion was introduced as a new concept in accordance with the new concepts of contemporary contemporary business to keep abreast of the tremendous progress of our present time.

and the needs were part of it : 1- integrating the reception of the technician with the technical work through the invocation and comparison of the artistic works.

the research then dealt with the proposals, recommendations and sources.

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

منخي، أحمد خليف. 2021. مفهوم التناص في التشكيل النحتي العالمي المعاصر. مجلة فنون البصرة،مج. 18، ع. 20، ص ص. 35-66.
https://search.emarefa.net/detail/BIM-1423802

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

منخي، أحمد خليف. مفهوم التناص في التشكيل النحتي العالمي المعاصر. مجلة فنون البصرة مج. 18، ع. 20 (2021)، ص ص. 35-66.
https://search.emarefa.net/detail/BIM-1423802

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

منخي، أحمد خليف. مفهوم التناص في التشكيل النحتي العالمي المعاصر. مجلة فنون البصرة. 2021. مج. 18، ع. 20، ص ص. 35-66.
https://search.emarefa.net/detail/BIM-1423802

نوع البيانات

مقالات

لغة النص

العربية

الملاحظات

يتضمن مراجع ببليوجرافية : ص. 64-65

رقم السجل

BIM-1423802