السمات الفنية للخزف النحتي للخزاف ماهر السامرائي : دراسة تحليلية

الملخص EN

Ceramics art consider as one of the most important types of fine art it belongs to the depths of history and its creations, at the level of great human civilization, including the ancient Iraqi civilization and an extension to the present time.

the art of ceramic is associated with feather and properties in terms of the nature of the formation and its technical elements and composition.

where the human through which many of its creations and activities through the two pillars are important means and purpose, the means requires (raw materials, metals, colors), while the goal means the target or the result to be reached, and the goal is the type of job carried out by the technical, leads to a variation in the nature of the technical characteristics of the achievement.

the technical features in the plastic arts are one of the important subjects that are subject to study and research.

through which we can monitor the intellectual transformations offered through the work of art.

taking into consideration the technical experience in particular and the transformations of formality by the experiences of the great artists, which gave the world thought of the transformations formalized by the development of the level of the artist's awareness of his own experience.

the current research and through its methodology seeks to reveal the nature of artistic features.

according to monitoring and analysis.

as an analytical study.

the study consists of four chapters: chapter one: - addresses the problem of research and its importance and the need to include the chapter as well as objectives and limits of research and identify the most important terms chapter two: - came to represent the theoretical framework, which consisted of two sections: - the first topic: - the concept of personality the second topic: features in contemporary Iraqi ceramics chapter three: - the research procedures included and contained 1.

methodology used 2.

research community 3.

research sample 4.

sample analysis.

chapter four: - the results and conclusions reached by the researcher in the light of the analysis of the sample as the conclusions were proved in the light of what resulted from the theoretical framework and analysis of the sample and the author of several recommendations and suggestions of the findings of the researcher as follows: 1- the cognitive concept of the Samaritan pottery is the basic basis in the recognition of the technical characteristics of ceramics, as it clearly reflected on its work in terms of technology and performance.

2 - formed the inherited concepts of the basic characteristics of building in the work of al - Samarrai.

3 - the ceramic works of Samarrai highlighted the attention to the modern artistic features as demonstrated by the emphasis on the color and font element in particular, as masters of the rest of the elements of the artwork.

4 - the potter relied on the mates in methods and techniques, relying on his own experience.

the researcher also reached a number of conclusions, including: 1 - pottery Maher Samurai one of the important pillars in the development of contemporary Iraqi ceramics because of the added features of the new art gave the spirit of modernity and innovation.

2 - different versions appeared in the nature of the ceramic composition of samurai through his attempts to add and the introduction of other materials on the clay material used and synthesized and processed to give it a new aesthetic character.

then came the recommendations and proposals and then proved the sources of research.