الفضاء التقني من المفهوم إلى التوظيف في الشعر السعودي الحديث

الملخص EN

This study tries to read the Saudi poetic text in its dialectical relations outside the contexts of the limited language and its wellknown structures, and outside the cumulative construction of it in a synthetic framework, monolithic, where the concepts of poetry turned from reassurance to conjecture, and gained the legitimacy of mixing with life, and its data, and came out on the artistic frameworks, familiar, and became looking for poetry in what is not poetry, to feel, and take it and give it, in a dialectical framework, the new text opened to non-linguistic relationships and icons from other fields, Human knowledge was discovered, and behind it the modern technological conditions that existed in the framework of informative and media messages, until the poetry and its function became ungenerated, and the study is manifested through axes: visual formation and space poetry, visual tone, the argument of whiteness and blackness, the artistry of textual space and the poetry of communication, the formation of vision - the vision of formation, the self and opposing dualities in front of Skype