المونودراما في مسرحية (حديث منور Münevverin Hasbihali للكاتب التركي ابن الرفيق أحمد نوري سكيزنجي İbnürrefik Ahmet Nuri Sekizinci و مسرحية (احذروا)‎ للكاتب المصري أمين بكير : دراسة مقارنة

الملخص EN

Theatrical writing varies as a result of the diversity of cultural activities that are inseparable from the conscience of society and its historical movement, and from these types we encounter the art of monodrama, which appeared in Arab and Turkish theater, influenced by Western theater, especially that this theatrical form has a presence in the origins and roots of Turkish and Arab theater alike where similarities Between him and the storyteller in Turkish literature and the popular narrator in Arabic literature, there are many Turkish and Arab writers who dealt with this art form and dealt with it many social and psychological issues.

But there is a great difference in the structure of the monodramatic text and the structure of the traditional theater, which makes it able to express the themes of individual tendency deep within the human conscience.

Monodrama theater is one of the forms of psychological theatre, which highlights a subjective experience to express itself, which refines the writer in using the mechanisms of verbal and non-verbal text to break the barrier of unity.

Commitment to the technical form and technique of writing the monodramatic text, and among these techniques, the presence of silent characters, which increases the anticipation of the recipient, and following the narration style that intensifies the event and accelerates its development.

The research relied on the comparative study in a descriptive style that explains the two writers' style in formulating the monodramatic artwork and shows the extent of their commitment to the features and characteristics of this modern art form through their two plays.