الوسائط السينمائية وأثرها في الشعر المعاصر: دراسة تطبيقية في ديوان "عاشقة القمر" لعبد المجيد فرغلي

الملخص EN

The research focuses on cinematic media and its influence on contemporary Arabic poem and its desire to build bridges of communication with it and to make use of its various technologies to develop its buildings and feed them with new artistic means that enable them to crystallize new contemporary connotations and visions.

the author has been able to take advantage of various technologies, borrowing their art tools, using the cinematic media in the body of his poem and mixed the poetic side with the cinematic side, so that one who reads some of his poems is watching a movie or a series.

accordingly the study came under the title "transforming the poetry into a visual median, an applied study in the lover of the moon to Abdul Majeed Farghaly".

he borrowed in his poems a number of cinematic mediums and hired the montage or cut the screenwriting is based on.

poetry came closer to seemingly separate scenes or snapshots, but when left to serve his vision.

he also used the medium of details and the eye of the camera.

additionally the dramatic event and the expansion of the movement of the spatial metal, which is known as dialogue or monologue, all with the twist between the shots that causes the recipient to stand in neutral angles of the event, as if seeing the scene with his own eyes and that was clear in his poem "the lover of the moon".

accordingly the methods that helped transform the poem into a visual medium through the cinematic media used by the poet, and his ability through these media to produce accurate glimpse of events and facts, and to emphasize the importance of cinematic expression that gave poetry a sensory representation of meaning and a mental reflection while awakening the feelings of the recipient.