الأداء الموسيقي

الملخص EN

Music poses with great intensity and urgency the following question: In what sense and to what extent does musical interpretation constitute the basic component of a musical work? Undoubtedly, this question can cause us several problems, since the performance is infinite.

Although the musical writing is close to the linguistic writing of the alphabet, it makes it possible to create an imprecise and more ambiguous composition which forces the reader to make many critical choices in which the performer plays an individual and physical role.

By memorizing the text, the interpreter transforms it and translates it in a few moments into the world of sound.

To give meaning to a musical work is to seek the intention of the composer in the light of his own experience, both human and emotional and musical, technical and physical.

Taking intentionality into account is a philosophical paradigm that makes it possible to overcome the apparent dichotomy between the original musical text and the interpretation, the intention of the composer and the sensitivity of the interpreter, which modernizes the musical work that he interprets, it is 'an intentional thing'.

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One of the critical questions of musical semiology is the question of the dependence on meaning in interpretation.

Can music do without the medium that is the performer? Is music the same it is the interpreter who conveys the message? We cannot answer with certainty, but in all cases, the interpreter facilitates the communication of meaning and makes it possible.