صورة المرأة الموريسكية في رواية" ثلاثية غرناطة " لرضوى عاشور

الملخص EN

In time of great calamities a woman's image shines only if a man's image is tuned and her voice emerges only when the man's voice is subjugated.

this was the case with the Moorish woman after the fall of Andalusia.

while the repressive organ of the inspection courts watched the Moorish's movements and inhabitants, searched their conscience to eradicate belief and identity from their hearts and minds and focused its surveillance on men by shedding the most horrendous methods of torture against them without paying attention to the woman, thinking she was at home.

at this moment she exploited this tragic situation and struggled to preserve the Islamic religion and the identity constants that Spain then sought in various ways to obliterate its features, so Moorish women had Honourable images and bright attitudes in education and in the preservation of customs and traditions.

even in resistance and Jiha, when she found out, she was taken to the torture rods, the gallows and the holocaust.

these women's tournaments are little known about them in a minority society that has not ceased to rebel, revolt and resist trying to bring them together in a Christian society that is alien to it.

Egyptian novelist Rizwa Ashour is the most famous person to have fought in this field by sending the memory of Andalusia after it was lost, , she did not open her novel to the image of the naked woman-according to what she stated-only to symbolize it to the Arab nation, which has become unprotected, faces extinction, fracture and repeated disappointments day by day.