هل التقط العراقي فعلا صورة مع الموت ؟ : مقاربة سوسيو-سيميائية في أنشودة الحرب

الملخص EN

This article reviews and analyses the Iraqi chant (Taqat Wil ma Taqat), a popular war chant during the confrontation between the Iraqi forces and the Islamic state in Iraq and the Levant (ISIS / Daesh).

the chant was written by the poet Qusai Issa, composed by Dhiaa al-Hamid, and sang by Salah al-Bahr.

however, the chant is of the enthusiastic type in words, and melody, and boosts the fighters' morale.

on the other hand, the chant uses individual ego discourse to demonstrate courage in not being afraid of the car bombs that have been reputed to be the most lethal weapon used by terrorists against soldiers and innocent citizens alike.

the article aims to analyze the linguistic and dialectical structure of the chant on the one hand, and the sociological expressions and connotations, by adopting a semiotic-sociological approach.

however, there is a comparison with a previous chant that emerged during the Iran-Iraq war in the eighties of the last century.

moreover, the article aims to answer a question : does the chant express a current reality that is the product of the wars and siege phase of the past four decades? .