أسس نظرية التلقي عند "آيزر" و أثرها في الرواية الجزائرية المعاصرة : رواية "تاء الخجل" ل : "فضيلة الفاروق أنموذجا"

الملخص EN

Recent literary studies have not restricted their vision and scope to focusing merely on the author and the text, in such a way thatdelves into some requirements that contribute to its production it, but opened up to a new component, be it readers or viewers.

The traditional perception based on the process of historicizing, "did not give way enough to the literary scholar but narrowed it to such a point that threatens to suffocateit in general".

This is exactly what has emphasized the systematic treatment of literary productions from the perspective of the openness of the literary text to endless decisions, linked mainly to reception levels, and pushing it to move from aforcefulpresence to an effectiveexistence.

Ezer'sreception theory also put forward several mechanisms and limited its vision to the recipient, who is the cornerstone of his theory.

Subsequently, through this article, we aimed at applying these mechanisms to the contemporary Algerian narrative text and its response to the theory of reception, or rather to the procedural mechanisms of Ezer.