التكعيبية بين التحليلية و التركيبية

الملخص EN

The process of analyzing and installing the pictorial surface is subjected by the cubist artist to the processes of deletion, addition, and modification to reach the final form that expresses his imagination and mental image, to form an uncommon pictorial structure in the composition mechanism by employing lines and geometric shapes.

and all the raw materials found in nature that are believed to express the philosophical idea when forming the pictorial cubic surface, so we find that the process of analysis searches for the essence of things to reach the reality and shape of the form that the artist sees in his reality and searches for details and small parts, then search for how that is combined with these particles and their expression through superimposed formations, even if they differ in the nature of the materials, they all share in order to show the surface of photography with pure aesthetics and original creative values that raise the mindset of the recipient.

therefore, the current research in the first chapter dealt with the methodological framework of the research problem that was formulated in the following question : what are the methods through which the creative artistic method can be employed in the analysis and installation of the cubist art painting ? in this chapter, the importance of research and the need for it, the aim of the research, and the definition of terms are also addressed in this chapter.

in the second chapter, the theoretical framework, the first topic deals with the technical structure of the pictorial surface, while the second topic deals with the analysis and composition mechanism of the pictorial surface.

as for the third chapter, it included the research procedures from the research community, the research sample, the research tool, and the analysis of the research samples.

the fourth chapter deals with the research results, conclusions, recommendations and proposals, and then concluded the research with sources in English.