سيميائيات فاعلية المشي : رحلة الفنان الطليق في الفضاء الطلق

الملخص EN

Walking as an art in itself, represented in an “artistic act” that does not require any form of artistic production except walking in itself.

where the pedestrian is considered as a geographer and explorer who draws, develops and creates new cartography of his body as a semiotic, sensory and symbolic experience to test space and create intimate sites while penetrating the walking spaces walking is an invitation to celebrate the senses and sensations and their enjoyment of the surrounding world in their contact with walking with all its material, moral, social and historical components.

this article questions the effectiveness of walking on foot and its semiotic and semantic manifestations so that it becomes an art form or an artistic effect in itself.

is it possible to consider the areas of walking, whether in the populated cities or in the favelas or in the unpopulated lands, as artistic spaces ? and does the mere exhaustion of the bodily energy of the line of walks, the drawing of the geology and the re-planning of the sites justify the mantra adopted by the pedestrian artists and the herald that if « no walk, no art work”? ”?