شعرية الخطاب الصوفي و التداخل النصي في الرسالة الصوفية لدى الحلاج

الملخص EN

Poetics is one of the most important contemporary critical concepts, which aims to reveal the components of literary discourse, because literary discourse, regardless of its gender, remains reluctant to reveal its final working methods and the sedimentation of its formation.

the ideal choice in directing the determinants of the study.

inevitably, the Sufi discourse operates on new cognitive and creative alternatives that invest the energy of transformation from the limits of the mind to the breadth of taste and from the superficiality of description to the depth of revelation.

the poetic and its multiple forms of prose, confirming that there is a form of prose that remained hidden from the circle of interest, possesses its structural characteristics and function, and overflows with its own poetry, but it remained absent, preventing it from being marginalized from achieving its merit.

the Sufi discourse is the disclosure of the communicative and expressive dimensions.

that is why we saw the reality of the speech "al-Hussein bin Mansour al-Hallaj (d.

309 AH)" where he expressed his feelings because his soul did not have the strength to conceal the pain and its torments.

some Sufis disagreed with him, so he took a different path from the rest of the Sufis.

the danger of his approach is the direct expression of divine love represented in the unity of witnesses, instead of that with a new expressive prose form in which the dominant is respected on the one hand, but in which, on the other hand, the norms of the language are violated by employing it in a symbolic, different, intentional and lexical, syntax and interpretation, and as a result, gender and type.