تمثلات اليهودي في رواية "فخ في تل أبيب، حكاية جاسوس جزائري في إسرائيل" لـ "عبد العزيز عمراني" ترجمة "أحسن تليلاني" نموذجا

الملخص EN

The novel swept the contemporary narrative field and has become the most common and widespread literary genre, due to its ability to translate the human imagination in all its forms, which is considered as simulation of cultural identity and a representation of national and humanitarian crises, and also a reflection of the existing bilateral relations between ego (self) and others.

considered as a sign that expresses human interaction with the universe, it produces cultural patterns and expressive images that draw different boundaries between the ego (self) and the other.

the Arab literary consciousness was inseparable from its foreign counterpart.

especially with regard to imagology and the literary wars that followed it, aiming at the liberation from the dominance of the western style, the correction of the stereotypes, and the destruction of the so-called “Eurocentrism” that degrades others and dismisses their human presence because of their race, color or religion.

the Jew came at the top of the list of ugly representations found in the universal literary works, exactly like the Arab narrative texts that inherited their hatred from the historical bloody conflict through the Palestinian cause.

this is what prompted us to ask questions about the representations of the image of the Jew in the contemporary Arab narration, in the light of the occupation crisis and the ideological legacy.

we selected the novel "a trap in Tel-Aviv: the story of an Algerian spy in Israel" written by the Algerian novelist "Abdelaziz el-oumrani " as an typical model of the Algerian-Jewish and Arab-Jewish image backgrounds, and we picked out the cultural systems as a means of revealing the implicit figurative discourse within this novel.