الأداء بالمشهد و إنتاجية المعنى : قراءة في شعر أبي القاسم الشابي

الملخص EN

The forms of reading differ, but they all conclude to investing the vision of their owner and his ability to transform things and crystallize them into vocabulary and symbols that may differ from one art to another, from narrative to dramatic, plastic and poetic, in which the language varies according to the needs of art, and the creator's ability to use techniques he derives from fields other art and made it pliable in his own orbit, expressing his thoughts and visions, This is what we tried to discover when we interrogated the texts of the poet Abi al-Qasim al-Shabi, in which we saw a fertile material in which he embodied the technique of the scene in the engineering of the overall structure of some of his poems, Hence, we decided to ask a number of questions, including: Is it possible to invest techniques and mechanisms from theatrical or cinematic arts in order to read poetic texts? Was al-Shabi able to embody the spectacle technique in building the aesthetics of his poetic texts?