الخطاب المسرحي و علاقة التفاعل بين التكوين النفسي للمتلقي و عناصر العرض

الملخص EN

Theatrical discourse is a form of creative artistic writing that achieves its significance on the stage, but it has two meanings: the meaning of the text and the meaning of the show, and each meaning has its own indications and artistic and aesthetic dimensions.

The texts differ from the scenes in the construction of the world and the dramatic space because the spectator cannot do that because it is specified in the place and time, and this is what is called the time of reception in the theatrical performanceHere lies the difficult task for the audience to understand and interpret any theatrical work.

The perceptions of modern theaters differed according to the intellectual and aesthetic developments of their owners, some of whom called for full integration, and others for partial integration In this context, many considerations intervene in the interaction process through the psychological formation of each recipient and the elements of theatrical performance, including- The theatrical meeting / spectator is different from the theater reader in that he sends his correspondence in a direct manner-There is no separation between the theatrical bit and the meeting, meaning that there is no time for reflection or a call, and therefore the failure or success of theatrical correspondence is immediate- Receiving is an instantaneous process and expression, because the presentation does not leave traces, and because we cannot re-watch the specific viewing more than once The reader's expectation horizon is formed mainly from previous aesthetic experiences and from the special cultural heritageل مع المتلقي أفق توقع العمل.