مرجعية الغلاف في رواية أحمر حانة

الملخص EN

Reference represents the hidden meaning under the ethnic floor, sentence or color that embraces the white paper, and the other meanings of the reference may come because of neighboring words for each other, and colors with each other, and gave those meanings what he wanted the para has a novelist Hamid al-Rabai and is hiding under the mantle of the para.

what he is asking him from the secrets of his allowance within the novelist, but some have been opened on the first cover page.

these secrets have been listed thanks to the general address and colors PANRRASHSHS and its conscience of the speaker of Al-Narraw al-Narri, which stacked all the details of the novel through the suggestions that disrupts his shouting reader, possessing mechanisms that can understand and analyze what the return and design of the living expression will be in place inside the novel with large white leaves in its enumeration.

casing this paper that hosts its hands subsequent text, as if they hide and protect and maintain what is in the first of its first declaration, a single color or chromatography or several colors woven a character she photographed what the words had been unable to say the title, either in the first casing or the last cover the second interface, being the threshold that must be known and then passed inside the text, by choosing the author who imagines the reader the title and its collection with all the powers of the cognitive energy are framed by the ambiguity of the recipient to detect the secrets of that foggy ambiguity, which stands behind the casing estar with all the texts of an emphasis, such as a red pub the author Hamid Al-Rubaie is an example of the cover, which absorbed the address as the text of my letter with a distinctive color and a painted panel with a brushing artist who includes the classes of the novel all of the cities, people, people, smoke and smells and a sacred population and death spreads in each cover corners.