الأنماط التركيبية و أثرها في تحقيق المقاصد التبليغية في المولدية النبوية الجزائرية

الملخص EN

Language remains, always, an indispensable means of communication to reflect thoughts and feelings.

The implications of the verbal performance in front of the audience lead the poet to employ methods to create and form his text carefully to influence the recipient’s psychology and create interaction with him.

The study aims to reveal the manifestations of this interaction at the level of grammatical structures in the text of the Algerian Mawlidiya presented during the Ziyani state era.

It searches for ways to employ them to enable meaning to the recipient.

What is the nature of these grammatical structures employed by the poet in his Mawlidiya to express his feelings and positions? What is its influential importance on the recipient to fulfill the informational purposes? This is what the study looks into as far as the Algerian Mawlidiya poet in the Ziyani era (Al-Thaghri) is concerned.

The study follows the stylistic approach, with a special focus on the compositional aspect and grammatical formulas and their effect on forming and representing meaning in order to read and analyze what is intended to account for the grammatical phenomena in the text of his Mawlidiya.

The study has found that Al-Thaghri has his own stylistic methods in employing grammatical formulas in a way that suits the context of the recitation in Prophet’s praise, and in a way that enables him to represent the meaning to the recipient.

These formulas are related to the common theme of the Mawlidiya.

It has its own templates and structures that help the recipient to retrieve it, and this is what makes the Mawlidiya closer in its features to oral discourse.

As for the recommendations, it is necessary to research the old Algerian Mawlidiya according to the theory of receptivity; there are wide-ranging critical horizons, as there are several intriguing aspects of the text.

It is also necessary to open the door to contemporary critical studies and try to tap their procedures and potential in exploring the poetic aesthetics of the literary heritage, particularly the unearthed ones.