صورة الموصل بين عماد الدين خليل و عبد المنعم الامير في روايتي الاعصار و المئذنة و فارابا

الملخص EN

The research aims to study the image as an aesthetic value based on displacement in the two novels "Al-Aesar", "Almidhana " and "Farba" by the novelists Imad Al-Din Khalil and Abdel Munim Al-Amir.

The study deals with the image as a procedural means and as an entrance through which the researcher aspires to present a critical view of the two texts which used the image in the context of the formative structure in the narration of the text.

The image appears to be the focus of representing reality in the two novels and reveals the transformations in it through the image's ability to simulate reality, feeling of unconsciousness and the transfer of conscience.

So, it becomes multiple dimensions and patterns that reflect an awareness of reality and its crises.

The novelist can draw various images within his narrative imagination using description, dialogue and vision as one the important mechanisms in forming narrative images.

In his society, for example, but not limited to, the novelist formulates it in his text, which constitutes a scene that gives the reader pleasure as well as provokes many interpretations of him.