تحولات الزمن في رواية (نمش ماي)‎ لفليحة حسن

الملخص EN

It is said that time is the nervous system of the novel* There is no novel without time, and there is no event without apparent or hidden temporal framing.

In synchronicity, the element of vision becomes clear and other narrative structures are manifested.

This is because the novel, which is the difficult labor of a human experience, needs to revolve with the human’s rotation in this life.

In the details of the narration, they depend on the details of the situation and its temporary evidence to be a starting point or a regression, as all dialogues, memories and events involve an inevitable agenda for a time that depends on what will be through the narration ether* In this research, we tried to investigate time in one of Faliha Hassan's novelist experiments because Namsh Mai, which will represent the applied text, was at the time an uncalculated transition to a narrative type characterized by shortness* It is a short novel with the most accurate and most literary descriptions* Because we are accustomed to flattening and extending events through the long novel, we will find the text here filled with both times and places and the writer intends to be brief because it is working on a short narrative literary text* It is therefore trying to be brief and economic in the events to prevent the plot from being fragmented* The most important question in this research is how the writer reduced time, to prove to us her (literary) theory based on the strategy of (accelerating - stopping) time* Then proceeding from it to construct events that the reader may see as deviated from what came before or separated from the rhythm of real time* Therefore, we will confront this question by analyzing the event itself and clarifying its relationship with what (before - after) to draw a close picture of what is intended (chronologically)* We will try to read the novel (chronologically) according to the structural approach and Todorov's sayings, to identify the characteristic transformations that formed a milestone in the structure of the novelist's time, and how they are far from or close to real time*