التحولات الفكرية و النفسية لشخصية الثائر في العرض المسرحي العراقي : مسرحية (نساء لوركا)‎ انموذجا

الملخص EN

To find out the clarification of the rebellious personality and focus on focusing on the rejectionist personal importance and the motive towards change, rejecting all positive cases and making a self-vision that emanates the individual’s thought and self towards his society, since the human tendency of human nature tends to discover and aspire to everything that is positive through the opening of the mind and the mind that the individual possesses.

Emphasizing the image of striving for reform and change, closing the surrounding ring small While the importance of the research was evident: highlighting and revealing the artistic treatments and finding the intellectual and aesthetic relations of the personality of the revolutionary in the theater.

Attempting to reveal the psychological that generates the personality of the revolutionary, its tendencies and tendencies.

The aim of the research was limited to the intellectual and psychological transformations of the revolutionary character in the Iraqi theatrical performance.

It is necessary to refer to the external scope that extended from the year (2010-2014) either spatially in Iraq - Baghdad, and concluded the first chapter and the words.

The first topic included two axes, the first specialized with the personality of the intellectual revolutionary, the second axis with the personality of the global revolutionary, while the second topic included the personality of the revolutionary in theatrical, Arab and Iraqi performances, and the conclusion of the first chapter on the indicators of theoretical frameworks and then previous studies, and the researcher did not find any previous study to study it It is directly concerned with the rebellious character in a theatrical performance who is considered to be in good condition.

Or the third, it included the research procedures, the research sample, and a theatrical performance sample, as well as the research tool, methodology and detail.

As for the fourth chapter, it contains the findings of the researcher, the most important of which are: 1- Relying on the epic in dealing with the personality of the rebel.

2- Refusal and departure from the customs and traditions that you feed the new.