جماليات الحذف ودلالاته في شعر إبراهيم الحضراني: دراسة نصية

الملخص EN

This research deals with the aesthetics and semantics of deletion in the poetry of (Ibrahim al-Hadhrani), and aims through decoding it to reveal the hidden meaning in deletion, and the connotations it carried, and the aesthetics it added to the text, and to show its role in achieving consistency of the poetic text structurally, and its harmony semantically; the problem of the research lies in: what are the forms of textual deletion in the diwan (al-Qutuf al-Dawani from the poetry of Ibrahim al-Hadhrani), what are its references and clues that it refers to.

and how important is it in giving the text a textual attribute.

the linguistic textual approach was adopted in accomplishing this research, which consisted of an introduction and three categories: nominal, verbal and oral.

the research came out with a number of results, the most important of which are: deletion came loaded with different connotations, as it carried within the context expressive energies dense, as well as added to the poetic text its aesthetics through what it constitutes of musical rhythms that penetrate the recipient’s feelings and feelings; the reference of deletion varied between a verbal reference and a contextual reference required by the poetic context.