جماليات القبح في إثراء فنون ما بعد الحداثة

الملخص EN

The concept of the aesthetic of ugliness is one of the theses of the postmodernism, the ugliness is one of the values related to the experience or the aesthetic experience, which in turn is the product of communication and interaction between art and the recipient based on its interaction and its environment.

from this standpoint, it becomes clear to us that ugliness is only a special kind of beauty.

which means that, beautiful in terms of functionality and value.

accordingly, we are not talking about absolute ugliness in general, or qualitative (for type); but the viewer deals with ugliness and its aesthetics through its outward and inward appearance; its exterior appearance is everything related to the physical dimension, as for its interior, it is everything related to the essence, such as the moral dimension within the behavioral system, from here, the concept of ugliness becomes one of the new concepts of aesthetic values, especially in the field of arts, this value of ugliness emerges from aesthetics.

as the essence of the relationship between ugliness and art is represented in the nature of the aesthetic or artistic expression of ugliness, as art is a form of different expression from the artist's point of view.

thus, the ugly in art becomes beautiful because of the hidden meanings and symbolic contents that reject the ugliness itself, and here the ugliness becomes important part of the art world in its symbolic concept.

it is possible to say that ugliness is a form of beauty and artistic creativity, and this appears clearly in postmodern arts.