جملة الهجاء في شعر الحطيئة : رؤية تداولية

الملخص EN

This paper discusses the most important techniques in which sat ire was implicated in Hutayaa's poems, with a diverse account of satirical strategies, including self-satire or mother-mocking.

Drawing upon discourse analysis, speech acts, and pragmatics, the paper realizes the literary devices according to a)sender b) addressee, and d) message.

As early as the 20 century, linguistics has established strict rules in the study of language and interpretation of relevant causes and issues.

Person alization is the foundation of literary and artistic expressions, as it does not consider the rationale of things, but it rather sees that any piece of art must proceed through the artist himself.

This process gives the impression which the artist tries to express.

Linguistics strives to be consistent with the nature of language and depends on observation in the analysis of language structure.

As for the pragmatic approach, it examines the speaker's intentions and how the speaker could communicate it beyond the literal sense.

The found tions of modern linguistic theory came from the development of earlier prin ciples established by some ancient civilizations and developed by the Arabic theory by Arabic linguists and philosophers.

Those scholars linked ancient and cognitive modern human heritage, as in the study of satirical poets.

With the various poetic styles and the poets' social, material, and cognitive dvancement, the poet's role is the actor, even if the entire society and public relations are of great importance to the poetic experience.

The poet, if motivated, will grasp his pen to express himself with words "poetry".

Satire, as elaborated on in references, is to find faults, to criticize, individuals or groups.

Satire in poetry is counting the defects and detecting the imperfect in the individual.

In pragmatics, referring to the addressee or getting one's attention to something by pointing to him or her, is the ground upon which the speaker estab lashes "I." References are the linguistic markers the ends of which are con nested by the situational context, as the references make no sense at its own.

Through discourse, the poem lines hint at a certain speaker.

The poet pre hints a given speaker, creates eulogy, satire, or elegy.

The poet intends to con solidate all the elements necessary to recognize the speaker, the addressee, and the setting of the poem.

The paper introduces speech act theory following the pragmatic analysis of satire in Hutayaa's poetry, briefly discusses the biographical account of Hutayaa.

Hutayaa was said to have raised inglorious in lineage.

He led a trou bled, unstable life, and having felt uncomfortable with his facial and physical appearance, he faced hardships among his tribe Abbs.

Such circumstances made Hutayaa a satirist, having been forced into begging.

Hutayaa's unstable, anxious life and living conditions made him choose alternatives.

He was forced to wandering and travelling.

As Hutayaa acquired the ability to write poems, he then joined the contemporaneous Zohar Ibn Abu Salma, an indication that Hutayaa followed a Zuhairist style in poetry.

Zuhairist style in poetry was concerned with words and how to refine, keep accurate, and remove defaults from them.

As such did Hutayaa proceed in poetry where his words were his strength? Hutayaa used to satirize everything and everyone that he even one day satirized himself; Never a bad thing will I utter today for I know not who the receiver will be...

Methinks my appearance, God deform! I see, may God uglify the appearance, may the body be ugly! This is justified by the fact that this poet knew he was ugly and therefore he never hid this fact from the others.