راهن الشعر العربي.. بين التجدد والانسحاب لصالح الرواية عن تأثير العولمة في المنجز الشعري..: مقاربة وصفية

الملخص EN

The particularity of the transcendent poetic discourse requires us to question deeply about the usefulness of poetry in the era of globalization, in other words on the usefulness of poetry in the era of "emigration" to the novel as new literary reality despite the ability of poetry to identify with other literary races.

poetry is everywhere as they say that is to say, it is capable of fitting into theater, novels, music, painting and even some modern advertising flashes.

it is natural that its role is present and hoped for in the bets of "globalization", but it will not be more popular than the "novel" which testifies to a remarkable presence that can have the "cultural" industry and the "cinema" takes part in it, which has made many poets feel marginalized and oppressed, indeed, there are poets who have indeed turned to the writing of the novel, and it is possible to refer to the Lebanese poet, Paul Shaoul, who asserts that "globalization" has marginalized poetry and announced its end and its confinement for the benefit of the novel.

So is the era of poetry really over? Or was "Diwan Al Arab" and will he remain the master of meaning beyond?