الجذور الدينية والتاريخية لمسرحية (هاروت وماروت)‎ تأليف: علي أحمد باكثير

الملخص EN

The research aimed to introduce theatrical drama and its stages in the Arab world, and to show a much greater reliance in his religious social play (Harut and Marut) on sound Islamic sources and references, the researcher has adopted for this study the descriptive and integrative analytical approach.

the research came in two topics: the first consists of two requirements, and they dealt with a general introduction about the play and the history of its origins and development, and the most prominent of its transfer to Arabic literature, and how its book was based on the beginnings on the historical heritage, and the transfer from the western theater with translation, as maroun made the discussion in the miser play.

the second topic dealt with two requirements: the first is about the efforts of Bakthir the play, and the second is on the religious and historical roots of the play Harut and Marut, and it became clear that the writer relied on the Islamic narration that appeared in the interpretation of the Quranic verse.

the blood is shed and we praise you with praise and sanctify you.

he said, i know what you do not know..." the interpretation was by many interpreters, such as al-Qurtubi, Ibn Katheer, and the lights of the download for al-Baidawi, and others.

denies religious narration or cancels content NHa, regardless of the sincerity of the novel or not.

the writer dealt with his vision of some of the diseases of his political, social and religious age, and the importance of man on earth.