الرواية العراقية واختراق المحظور : قراءة في رواية (الحلوة)‎ لوارد بدر السالم

الملخص EN

There are red lines that Iraqi novelists did not dare to cross them till the year (2003 A.

M.

) when the ominous winds of change had stormed.

As the great emancipation and the chaos as well led to liberating Iraqi persons of censor authority, so they penetrated many prohibitions, varied into political, religious and social dimensions.

One of the effects of such penetration was losing the cultural patterns that control the consciousness as well as the sub-consciousness of individuals.

It also tries to mislead them with a set of ideas and stories created specifically by the authority to impose power and control, regardless of the form of that authority, whether political, religious or social.

On the other hand, there are cultural modes hidden behind the aesthetic one; to ideologize the recipient with an intellectual temper, the novel tries to convey it stealthily to the recipient of the message, throughout a skillful narrative trick, particularly with the religious aspect of extremist issues and related forms such as terrorism and Islamophobia as well as issues of atheism and freedom from religious constants.

Based on the foregoing, this study tries to shed light on the penetration of taboos, to pick out the implications of discourse, whether what has been stripped and exposed by the novelist (implicit in the political, religious and societal discourse), Or what was encoded and enacted by the novelist himself (inferred in the narrative message), There is a difference between ideology in the novel, and the novel as an ideology.