قراءة سيميولوجية في تمزق البنية الذاتية داخل المجتمعات القطيعية من خلال تحليل لوحة "الخروج عن القطيع" لتوماس ألان كوبيرا

الملخص EN

This article is an attempt to a semiological reading of social and ideological consciousness as well as the role of herd culture and its impact on self-construction, where individual subjectivity is denied in front of the collective social, political and religious spirit, let's discuss here of the subjectivity of the individual and of his humanity, which does not seek so much to strip himself of his origins as to affirm his subjectivity, his freedom and his independence and his intellectual and artistic identity.

we have raised this question through an analytical approach to the painting "out from the herd" by the polish painter Tomasz Alen Kopera, which seeks to study the semiotics of pain and tearing and its repercussions on the individual and the group, in a metaphysical surrealist expression.

which presents a tangible reality.

this work presents a study of the humanity of human beings and their search for their identity within gregarious societies which do not seek creativity and excellence so much as the perpetuation of stereotypes, to confirm that the uniqueness of the subjective personality is in itself an introduction to the understanding of culture.