الأبعاد الجمالية لعرائس الدمى في الفولكلور الصيني

الملخص EN

The art of puppet formation is one of the ancient Chinese arts, dating back to the (Zhou) Dynasty, as the first chapter included the research problem and its importance and then defining the temporal and spatial limits in China, material and objectivity, which dealt with the study of the aesthetics of puppetry in Chinese folklore, and then ended The chapter in terms of research, and the second chapter dealt with the aesthetic of Chinese aesthetic thought, and what folklore is, puppetry and popular culture, and ended with indicators of the theoretical framework, while the third chapter included the research community, which amounted to () and a sample of (") artworks that were selected in a photo.

intentional according to several well-studied justifications, and ended with the analysis of the sample.

As for the fourth chapter, it contained the results of the research that included the following points: 1-Chinese folk dolls were made with exaggerated shapes and colors, characterized by simplicity, accuracy and many decorations, suitable for decorating homes in addition to their role in the theater.

2-Chinese folk dolls embodied historical themes and stories, legends and myths, and they espoused human life and lived with his beliefs for a long time, so they were associated with divination, astrology and human imagination to reach integration.

A number of conclusions were reached, including: 1-The abundance of materials and raw materials in the environment such as mud, wheat straw, bamboo, palm fronds, old pieces of cloth and others helped creativity and ease of work.

2-The puppet art expresses the civilizational symbols and the deep culture of the Chinese people, as it formed a special artistic language through its heritage, history, social and intellectual outcome.