تلقي النحاة لشعر الفرزدق

الملخص EN

It was evident that Al-Farasdaq's poetry in the era of (114/732) was regarded as one of the primary resources of information for syntactic as well as linguistic studies because his works had strong structures, paraphrases and music.

Of course, he was a renowned poet of the Ummayyad Era and had a great influence on the Arab grammarians' who found his poetry a fundamental source of reference for their criticism.

They are of two kinds: (i) some found his poetry subject of criticism while (ii) others took maximum evidence and proofs form his poetry.

Famous Arab critics had dealt with the following syntactic issues: (i) subject and predicate, (ii) adjectival phrase without the preposition waw, (iii) short kind of paraphrasing and specificity, (iv) illegible writing and misuse of writing inflections, (v) complexity and intervening in talks, (vi) syntactic residual and (vii) misuse of inflectional system in the parsing process.

It was evident that the great Abbasid poet, namely, Al-Mutanabi (354/965) made use of Al-Farasdaq's style of using the inflectional system in parsing.

Though Al-Farasdaq belonged to Tameem's tribe in kinship, he did not copy the tribe's style of forming structures.

Instead, he followed the most influential approach of writing poetry propagated by Qurish tribe.

Qurish's dialect was the most used in writing poetry for the following reasons: (i) it was the language of literature and (ii) the leading dialect used because of its dominance and the tribe's religious and economic high standing.