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شعرية النثر في النقد العربي القديم
العناوين الأخرى
Poeticalness of the prose in the Arabic traditional
المؤلف
المصدر
العدد
المجلد 2012، العدد 29 (31 يناير/كانون الثاني 2012)، ص ص. 278-301، 24ص.
الناشر
جامعة بغداد كلية العلوم الإسلامية
تاريخ النشر
2012-01-31
دولة النشر
العراق
عدد الصفحات
24
التخصصات الرئيسية
الموضوعات
الملخص EN
This research is mainly concerned with what is called Poeticalness of the Prose in our Arabic critical heritage ,i.e in the tools that gives the prosaic text the spirit of poetry to reach to the level of poetry in its artificial delicacy .The present research is based on four cores ١- Composition and Poetry .
٢- Poetry and Prose .
٣-Ideom of Poeticalness .
٤-Charateristics of Poeticalness in the literary ,poetic and prosaic Text.
The first core tackles the difference between poetry and composition which is realized in lacking the composition of good introduction , sensible simulation and splendid meaning .Also ,it is important to note that composition is equivalent to poetry in meter and rhyme only .
While the second core deals with the difference with the poetry and prose , which is a formal difference concerning meter and rhyme.
The third core is concerned with idiom of Poeticalness that is actulise in the literary text ,whether in poetry or prose by means of the stylistic poetic image and the artificial style .The features Poeticalness of in the literary and prosaic text is the fourth core .Such features actually exist in prose ,as well as in poetry .This is true in spite of the fact that the language of prose is of a persuasion type, while that of the poetry is of an enjoinment one.
The research has reached with some conclusions .One of them is that the composition does not mean poetry , but it is one form of meter and rhyme .Thus , the scientific poetry is called the scientific system .A number of critics such as Ibn Tabatba Al-Alawi (٣٢٧ A.H) ,Ibn Rasheeq A-Kairwani (٤٥٦ A.
H), Hazim Al-Kirtaji (٦٨٤ A.
H) , and others refused to call peace of poetry ,with meter and rhyme ,as poetry .They put restrictions for a real poetry , some of them are to reproduce various meanings , skillfulness of image and provoke influence on the receiver .
Moreover, the artificial prose has its own music ,called rhyming which is capable of creating an internal rhythm in the prosaic text as with poetry in meter and rhyme , and the prosaic or internal poetic music is realised in pronunciation in terms of stratification ,paronomasia and comparison .A third conclusion is that Poeticalness Are a number of features that make the predicative or the compositional text, in both poetry and prose into an emotional and impressionistic one, creating an emotional Convulsion in the receiver .Poeticalness, both in poetry and prose, is clearly recognised by the plain violence of the grammar of the language by means of advancing and postponement., or by means of the ungrammatical predication (metaphor ).Ibn-Rushd was the first who coined the idiom Poeticalness in his book (Talkhees Kittab Aristo) in poetry, assigning Poeticalness to both poetry and prose as well.
نمط استشهاد جمعية علماء النفس الأمريكية (APA)
حميدي، سندس محسن. 2012. شعرية النثر في النقد العربي القديم. مجلة كلية العلوم الإسلامية،مج. 2012، ع. 29، ص ص. 278-301.
https://search.emarefa.net/detail/BIM-301778
نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)
حميدي، سندس محسن. شعرية النثر في النقد العربي القديم. مجلة كلية العلوم الإسلامية ع. 29 (كانون الثاني 2012)، ص ص. 278-301.
https://search.emarefa.net/detail/BIM-301778
نمط استشهاد الجمعية الطبية الأمريكية (AMA)
حميدي، سندس محسن. شعرية النثر في النقد العربي القديم. مجلة كلية العلوم الإسلامية. 2012. مج. 2012، ع. 29، ص ص. 278-301.
https://search.emarefa.net/detail/BIM-301778
نوع البيانات
مقالات
لغة النص
العربية
الملاحظات
يتضمن هوامش.
رقم السجل
BIM-301778
قاعدة معامل التأثير والاستشهادات المرجعية العربي "ارسيف Arcif"
أضخم قاعدة بيانات عربية للاستشهادات المرجعية للمجلات العلمية المحكمة الصادرة في العالم العربي
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