توظيف تقنيات لغة الجسد في أداء الممثل المسرحي

الملخص EN

Body language techniques are an effective and valuable tool of communication between people; and the stage actor should be able to fully master and utilize them as one of his/her most efficient means of expression.

The two researchers have worked on developing a system for the formulation of well defined structure of body language; thus, selecting the appropriate mechanism to be deployed in the preparation of stage actor.

To achieve the best results, the researchers have stimulated and deployed several elements, including science of Kinesics, Physiology (Science of Functions), anthroposophy, Science of Spatial Calculus, Physiognomy, Forecasting, Anthropology and other bordering sciences.

The research aims at explaining body language and analysis of its significance in the embodiment of play characters; and to establish a new format for the rules of body language system as well as set specific rules for practical lessons for the training of stage actor to enable him/her to utilize these rules to develop methods of innovative carnal performance ways to achieve the objectives of the performed drama character.

The research consists of the following chapters.

First: Introduction and the Beginnings Second: Chapter one; includes: 1 - The relationship between body language and artistic expression 2 - Sources of body language and linguistic forms of communication through their links with the Science of Chemistry.

3 - The impact of social environment on the functions of body language.

4 - The functions of signals and mime signs in the expression of ideas, and methods of delivery.

Third: Chapter Two; includes: 1 – Sketching features of body language and using them in sexual concepts.

2 - Classification of Ann.

L.

Biwer for Human models and their impact on his overall behavior in life.

Fourth: Chapter Three; includes: Applications of technical deployment of body language in the performance of stage actor: 1 - First principle: comprises dealing with a body language element as part of a fully integrated structure and not as a single isolated element.

2 - Second principle: involves the discovery of harmony and integration between speech and body languages.

3 - Third principle: deals with the dismantling of the body language structure and its deployment techniques in artistic expressions.

Finally, the researchers stipulate their findings and pose a number of recommendations; followed by quotations, references and sources used in their research.