جمالية الإيقاع اللوني في الفن البصري (op art)‎

الملخص EN

The contemporary Iraqi art is characterized Batraath transformational aesthetic , as well as technical Tasissath Arab and locally , he is in contact with the secretions and shifts The aesthetics of the art modern European , and therefore drawing contemporary Iraqi showed emotions Iraqi artist and crises , calling the atmosphere of fit and ideas imaginary that meet the needs of Interior , represented by choosing the number of works of art , and the increased rush , especially in the fees the youth movement .

We note the features in the graphics group of artists Iraqis likes of ( super good , Jawad Salim , Ismail Fattah , Amer al-Obeidi , Kadhim Haydar , Ala Bashir , cream halter , Madiha Omar , Hakerhassan Al Said , Ismail Shaykhli Walid chit ) and how much of the products of this stage .

It is this perception highlights the problem of current research through the following question : 1) Are involves drawing on contemporary Iraqi psychological dimensions Baltosifat intellectual and aesthetic ? 2 ) What are the implications and implications for the psychological dimensions of the products of contemporary Iraqi drawing ? 3) What is the relationship between psychological dimensions potential of an Iraqi photographer and his production artwork ? It also offered to the importance of research as well as set a goal of research that identified the identification of psychological dimensions in the drawing contemporary Iraqi by measuring the psychological dimensions of the criteria and standards lies their presence in the art painting idea and content , the symbol and its significance , photos and drawings, and all these Almaaillerad important barometer is measured by the ability to respond self the recipient in the products of drawing Iraqi , as defined search limits temporal than a year ( 1960 to 1990 m) , the spatial boundaries are a study in drawing the Iraqi contemporary paintings painted with oil executed in Iraq , and the objective limits are the psychological dimensions ( psychological ) within the period above , and in the the end of the first quarter was identified several definitions of the term psychological dimensions as a term mainly in this research, Chapter II of this study has included theoretical framework and previous studies , as it was the first topic specialized theories and opinions psychological unexplained drawing the second section has included studying contemporary Iraqi art ( entrance historical ) after the presentation of the previous studies that preceded this study and seal the second quarter a set of indicators of theoretical framework .

either Chapter III has included research procedures as it has been to determine the research community , and the identification and selection of samples of research and curriculum analysis of research samples having been analysis (7) models for the paintings of drawing contemporary Iraqi deliberate manner and in accordance with the imperatives of the following : choose a theme and distinct emotional content contained in the artwork , and the variation of selected models in terms of the technique , allowing more room to see the workings of the psychological dimensions in the drawing contemporary Iraqi .

Was chosen as models for the purpose of achieving the goal of current research based on the opinions of a group of experts in order to ensure their validity and suitability aim of the research .

After an analysis of the models of the seven selected Qsidia out research with a number of findings , including: popping psychological dimensions through the expression of the line by the mechanisms of movement , direction and type , measurement and relationships which reveal a whole for a number of indications psychological and show the psychological dimensions through expression Palmlms soft apparent as well in the rough texture apparent in samples.

then incorporated the most important sources and references , and reconciled to God .

( Researcher )