البعد الديني و الوطني في الشعر الشعبي الأمازيغي : شعر سي محند أومحند أنموذجا

الملخص EN

The study is based on a lighthouse model which is the poet Si Mohand Oumhand.

It traces the path of his social and cultural life and studying samples of his poetry, based on introductory textual units, which often start by religious formulas, such as : In the name of God, Praise be to God and Subhan Allah Or linguistic textual units that begin with letters of the alphabet, such as a, b, c, d and many others.

Or a national significative formula by introducing a city among other algerian cities that the poet had visited or whereby he would transited, like the city of Algiers, Annaba, Blida, Bouira, etc..

Regarding the unity of the conclusion, it focuses on prayer and invoke God, the Almighty.

The study concludes with results such as Si Mohand Oumhand’s poetry which is an excellent model for the use of national and religious dimensions in the context of the communication and convergence between the Arab and Amazigh literature in view of the fact that the islamic tradition is the main source and the first confluence of the oral amazigh literature.

Problem : This study attempts to highlight the importance of the amazigh oral discourse and reveal national and religious dimensions of popular amazigh poetry through the model of poetry Si Mohand Omhand, and, focusing on levels of deep structure, characteristics, images, etc.