تكوين مشاهد الحرب بين رسم الجورنيكا و النحت الناتئ الآشوري

الملخص EN

From ihe beginning of this research, it was necessary to present a general concept of straggling as we consider all the existence in nature, the smallest & the biggest one, are in state of struggling & even between the human desires & community .& a going over of some of the theorists & socialists view about this concept whether agreeing or disagreeing.

Considering war is a part of this concept, thus, the precisely specification for the war horizon conception as it is pressing environment intervene the society of the artist that growing in exceptional environment & there is no community void of struggling and warfare, in past & present.

Then the researcher mentioned in the second chapter of the theoretical framework of some war scenes in optical field & quick view about the subject of master pieces in this issue, we specify in the third chapter from the theoretical frame work a deep study in infrastructures showing for painting in war subject for each of Rubens (Massacre of the Innocents) Goya (The Executions of the Third of May) & she reached to the important point of the theoretical framework & considered in a main tool in praelicing in the research.

& the fourlh chapter become to maintain the samples analysis that could be between the Guernica & the Assyrian wall paintings, the time edge of the research from 688 and to 1937 & finally she reached to the most important result of this study is to find resembles of morphological objective themes between the Guernica & the Assyrian apophasis sculpture.