الإنسان و الفنان في الفكر الفلسفي و الفلسفي الفني و الجمالي المعاصر

الملخص EN

This means research shed light on how to see the philosophical doctrines : idealism, materialism, and existentialism, and pragmatism of the man and the artist, has influenced the philosophical doctrines and along the historical roots, directly, to see the self of the artist about the nature of art, and how to interpret the artwork and determine the mechanisms of functioning of art in general ; since been searching for what rights in these doctrines philosophy,art and aesthetic of each of them; order to reach a definition of the artist in every thought, and a statement that the artist in the artwork of contemporary painting, which can be traced intellectual assets to these philosophical doctrines, has They found a set of results, including : 1.

Represents the artist in philosophical thought artistic aesthetic ideal mediator between ideals and global physical presence, he rejects the physical experience of sensory data and free himself about to move up and become isolated due to receive his spiritual inspiration or flood.

2.

The artist in philosophical thought artistic aesthetic material, man devotes itself to serve the issues of society and the proletarian working class in its struggle for change and the economic and social reality through his art, which is a tool of the movement of society.

3.

The artist in philosophical thought artistic aesthetic pragmatic is a man with imagination and mental capabilities and acquired by the accumulated practical experimentation and enterprise expertise and aesthetic that makes art is to seek solutions to the problems facing human.

4.

Living artist, according to the philosophical thought artistic aesthetic existential, life situations in the subjective experience individually and through his art is trying to create an alternative to a world different from the reality of absolute freedom.