دور سيزان في إرساء قواعد الفن الحديث

الملخص EN

This paper deals with the role of the artist Cezanne in establishing the rules of modern art, where the researcher is trying to know the stages undergone by the artist Cezanne and the way in which he and the technique used, where the geometric shapes active role in his drawings, and this research is located in two chapters: Chapter One: Cézanne and modern art the subject of art is linked to factors related to the modern era that is being built from the events, whether political events or social revolutions and wars have caused concern and created a state of tension was the results of the separation of a group of artists for their communities, as happened with "Cezanne" when he moved X from his village to the nearby Marseille Alastak due to the outbreak of war Frenko- Prussia in order to avoid conscription.

1.rules:and Chapter II: Cezanne and Cubism establish school rules Cubism has gone through three stages began in 1907 AD - 1909 and is restricted topics on natural forms and reduced to simple geometric spaces and this stage as a result of the effect of "Cezanne".

After "Paul Cezanne" of the most influential artists in painting techniques in the early years of modernity has established "Volare" important to him an exhibition in 1895 and said, "Did Cubism out, for example, between the folds and the experiences and ideas of Cezanne", was "Cezanne" in search systems Engineering and laws that control the building so that he was able to highlight the sense of including the forms of weight and hardness and texture and to pave the way for the emergence of post-Cubism.

Where taking looking to himself for a new style, leaving the attention vibrations and optical Tgieradtha, and not even located in the nature families resorted to geometric configurations modification in his drawings, and began to transform the view to building a solid based on geometric relations it was divided shape that depicts the painting into squares space, and fills These boxes are bold long lines of dense color, suggesting to the viewer a sense of mass, which shading component aims to suggest in traditional photography Images of faces and objects in the form of cylinders and cones and cubes and triangles was "Cezanne" he says, "I look at the nature Kostoanh or cone or any other body so that each side or surface of it is moving towards a central point.