سمات شخصية الإرهابي و تجسيدها في أداء الممثل المسرحي

الملخص EN

The current research is interested in studying the (terrorist and personal attributes reflected in the performance of theatrical Representative) There is no doubt that the art of theatrical active role in the detection of crime terrorists including owned performance theater actor from a direct presence that among the Representative and the receiver, which enhances the influential relationship for his performance in the mind of the recipient and his psyche which achieves very theatrical in educating the recipient dangers of extremist ideology of the terrorists as well as an invitation the recipient to be an active element in the fight against terrorism, and this sense founded the research problem in the first chapter, which centered asking follows: what criminal and terrorist character style attributes reflected in the technical performance of the theatrical actor ? The second chapter (theoretical framework) on the two topics I dealt with them the subject of personal attributes of terrorism in religious, legal and psychological sources highlight those features form that shows the mental and psychological state of extreme personal terrorist, while interested in the second research study of terrorism and drama (hypothalamus and development) through a brief history shows stations where the drama addressed the issue of terrorism and some of the most prominent criminal characters, whether real or imaginary, or a combination between them overlap Nonfiction your Darling.

Then ended the second quarter indicators of the theoretical framework .

While the third quarter included the research community, which was limited to theatrical performances related to the subject of research and provided by the theater department professors in the Faculty of Fine Arts - University of Babylon in Iraq within the period 2005-2013.

Play three samples were selected deliberate manner to be the object of analysis, these samples are (martyrs rise up again) and (fatwas for Rent) and (beam- Hussein (Peace be upon him )).

The fourth chapter has included the search results and that was including the following :1-performance Representative in the three samples reverse over the cohesion between the reality of life in the theater and art that embodies the physical and acoustic performance of the representative who endeavored to highlight the terrorist personal criminal attributes and leave negative effects on our society and posed the risk of deformation of the image of Islam, which requires a pause of solidarity uniform against all forms of terrorism and to address the terrorist extremist thought .

2-detection performance theater actor intolerance of opinion and aggressive excessive violence as a feature and clear terrorist character and this is what appeared in three research samples, especially in the third sample through the personal (azeed).

3-Aban Representative theatrical performance characteristic lack of poise and intellectual astray extremist religious ideas in the interpretation of the Islamic religion, which was clearly evident in the first sample and the third more than in the second sample .

Finally, Chapter IV of the conclusions and recommendations, proposals and a list of sources .