التنوير الدلالي و الجمالي للغرض في العرض المسرحي

الملخص EN

This research found the importance of an object piece of actor and its semantic and aesthetic enlightenment and its role in the play scene and the performance of the actor and aesthetic awareness of the attendant that did not mention I by a lot of workers in the theater of actors, designers, and directors.

The research found that an object piece is indispensible in achieving a balance between the requirements of performance as a whole, according to its design specification to achieve the semantic significance, as it has an illustrative style, by linking its elements such shape, size, material, color, and texture, and it loses its meaning if used badly, or it was designed in an illogical volume and this weakens its role and relationship with the elements of the theater performance.

The object of actor has a role in creating harmony between it and performance elements, if it has been selected scientifically and technically sound and the best actor dealing with it, as he/ she finds harmony between his/ her performance and the object piece, whether it is fact and suggestive, and the harmony is achieved between it and the decoration blocks by not increasing the object pieces in the scene.

To materialize the view configuration which contributes to the activation of the visual elements and highlights the intellectual, psychological and aesthetic implications in the theater performance so it should take into account the relative terms, including among other elements the performance perspective.

And this harmony is achieved in mixing the designed plan of object piece with the plan of forming optical light of the geographical landscape, as well as between piece uniform by contrast, proportionality, harmony and sovereignty.

The accessory piece enlightens the actor performance and discovery of his / her talent, and it identifies more on his/her potentials.

Through this artistic, spiritual and intellectual enjoyment in performance has been achieved, and expressive figure is achieved in a better way; it gives way in front of him/ her to move a way from a typical performance, and it adds to the character he/she performs in innovative acts to waken its senses, which raises the performance to an adequate creative artistic suitable standard.

The object can be adapted to achieve aesthetic awareness to the attendant, through the actor's physical motion and his/her verbal performance.

The choice of the object piece and its design is considered a big mission, and this totally depends on the designer and the director to promote the aesthetic spirit in the piece.

Reception and communication elements should be urged with the attendant in order to achieve its enlightening, semantic, and aesthetic role in the theater performance.