دلالات الأشكال المركبة في الخزف الإسلامي

الملخص EN

The research dealt with (EVIDENCES OF COMPLEX FORMS IN THE ISLAMIC CERAMIC) lies in four chapters , first chapter included the problem of the research which was briefed in possibility of replying the question ( Do the complex forms have evidences in the Islamic ceramic and what are their references?), importance and need to the research came from (Described as concern about the specialists in discovering the aesthetic sides for the ceramic forms in the period of Islamic art generally and the ceramic particularly.

The current research discover how the Muslim potter concern about the religious and life side and achieve this concern in his works, provide the general and specialist libraries with a scientific and artistic effort in the field of art studies, the research represented a scientific effort added to the other researchers efforts in the field of Islamic art generally and ceramic art specially), the goal of the study is ( Discovering the evidences of complex forms in Islamic ceramic), the research's limits is the ceramic works done in the Abbasi era in (Iraq and Syria) within the period (4th -7th ) A.H century (9th – 13th ) A.D century.

While the second chapter was represented by the theoretical frame included two sections , first one : (Concept of evidence and form in the art).

The second section concern about studying the complex forms in the Islamic ceramic (historical references) in the Abbasi era, the theoretical frame was finalized with a punch of indications and then the previous studies.

The third chapter tackled with the procedures of the research and include also determining the population of the research of ( 20) potters, then the research tool and analyzing the sample.

While the fourth chapter included the results and conclusions of the research plus to suggestions and recommendations, one of the results the researcher has come up with is : 1- The Abbasi potter was far from the real form through combining , decreasing and abstraction then application them in ceramic works.

2- The Muslim potter used themes taken from the daily life like hunting views, animals fight and achieving that in the sample.

3- Abbasi potter combined human and animal forms as that give the aesthetic values and being away from imitating the Creator God in his creatures.

4- The Abbasi potter used the variable ceramic forms through the correlation between the nature and the asceticism as he used the less colors and using the technique of the metal bright instead of the gold and silver and approve that in the sample.

While the most important conclusions are: 1- Complex ceramic form are due not to imitate the Creator God.

2- The Muslim potter concern about the abstract and combining in the forms drawn on ceramic plates that epress the aesthetic of ceramic works in addition to innovation and invention.