التنوع الأسلوبي الجمالي في الخط الكوفي القيرواني

الملخص EN

Find study aesthetics achieved by stylistic diversity Kufic Cyrene, which showed a visual stirring attention-grabbing and enhanced connectivity.

Mar search of four chapters Me be the first chapter of which systematic framework in which the study identified the following problem by asking: What stylistic diversity aesthetic line Kufi Cyrene, comes aim to answer the question of disclosure and determine the aesthetic representations in the line of Cyrene.

The second chapter, which included theoretical framework has contained four sections first came from Kufic origins and evolution, while the second section has me studying diversity stylistic in Kufic script of Cyrene, while the third section represents the aesthetic dimension in Kufic script of Cyrene, while the fourth section was explaining organizational foundations in Kufic script of Cyrene, then seal chapter previous studies and discussed, as well as the theoretical framework indicators.

The third chapter included research procedures, which contained the research methodology and of the analytical Balosfi (content) for models sample analysis, and then determine the study population b (51) model, which selected the ones researcher sample study to form a proportion (10%), and the selection I mean shall be of (5 ) models according to research appropriate credentials.

The fourth chapter represent the results of the study, which was the most important: - 1.

A method of configuration Satari in Kufic script Cyrene formations of light where dyslexia relied sequence sequentially as in the sample (4).

2.

configuration consisted of free style heavy overlay of four levels, where the relay opto came as a result of improperly to find a state of balance and similarities formal letters to the Quranic text, as in the sample (5).

Some of the recommendations also included, as well as proposals which include a comparative study of the stylistic diversity of aesthetic between Kufic Cyrene and Alnisabure.