التحديث في خزفيات بيكاسو

المصدر

مجلة نابو للبحوث و الدراسات

العدد

المجلد 2015، العدد 11-12 (31 ديسمبر/كانون الأول 2015)، ص ص. 175-199، 25ص.

الناشر

جامعة بابل كلية الفنون الجميلة

تاريخ النشر

2015-12-31

دولة النشر

العراق

عدد الصفحات

25

التخصصات الرئيسية

الفنون

الملخص EN

marked type b (update in the Ceramics Picasso) characteristics of technical and aesthetic features of nature modernist ceramic to Ntegath which combine graphic arts and sculpture beside the porcelain in the production of artistic compositions, as it ensures Find four chapters, the first contained a methodological framework represented by the problem of research and its importance and the need for it and that It highlighted the ceramic compositions of the artist Pablo Picasso, with a tendency modernist aesthetics loaded with technical performance and stylistic.

As well as it contains the goal of research “to identify the attributes update in the Ceramics Picasso.” While limited research on the analysis of pictorial models of Picasso ceramics for the period between confined (1947-1957m) in Spain and France.

While the second quarter included the theoretical framework and previous studies, which contained two topics, the first “concept of modernity and modernization”, as well as fit on the second topic “update in the drawing modern European” who founded the intellectual ground for modern art in.

While the third section “features update in the works of Picasso,” and ended chapter indicators of cognitive and aesthetic ..

The third chapter contains the procedures for search and included the research community and appointed by its tool and methodology as well as the research sample amounting analysis (5) samples of the products of Picasso.

The fourth chapter has included a presentation of search results and conclusions as well as recommendations and proposals Notable among the findings of the research: 1.

The work of Picasso to stay away from the realistic simulation of the shape and the abandonment of traditional logical criteria for the liberation of visions, and the heart to look at the reality of things.

2.

formed a spontaneous expression and a primitive method to the Picasso one technical features that appeared in its ceramic.

In light of the current search results, search reach a number of conclusions including: Absorb Picasso philosophical propositions brought by modernity and especially what it says Nietzsche, when the heart of the values and promise a relative and are therefore subject to change and switch it that Picasso made heart realism things Theory The reformulation of the formal constructs, as long as that man can replace the old values and bring other values.

1.

as well as the recommendations and some of the most important proposals hold the following study: (reciprocal relationship between ceramics and painting at the Modern Art).

نمط استشهاد جمعية علماء النفس الأمريكية (APA)

إياد محمود حيدر وجرد، حسام صباح. 2015. التحديث في خزفيات بيكاسو. مجلة نابو للبحوث و الدراسات،مج. 2015، ع. 11-12، ص ص. 175-199.
https://search.emarefa.net/detail/BIM-699440

نمط استشهاد الجمعية الأمريكية للغات الحديثة (MLA)

إياد محمود حيدر وجرد، حسام صباح. التحديث في خزفيات بيكاسو. مجلة نابو للبحوث و الدراسات ع. 11-12 (كانون الأول 2015)، ص ص. 175-199.
https://search.emarefa.net/detail/BIM-699440

نمط استشهاد الجمعية الطبية الأمريكية (AMA)

إياد محمود حيدر وجرد، حسام صباح. التحديث في خزفيات بيكاسو. مجلة نابو للبحوث و الدراسات. 2015. مج. 2015، ع. 11-12، ص ص. 175-199.
https://search.emarefa.net/detail/BIM-699440

نوع البيانات

مقالات

لغة النص

العربية

الملاحظات

يتضمن ملاحق : ص. 199

رقم السجل

BIM-699440