التحولات الفكرية في النص المسرحي العراقي

الملخص EN

Iraqi theater trip started since the last third of the nineteenth century and the history records of Christians favored the introduction of this new art to Iraq and to alert the public to him, has already authoring theatrical other races literary modern in contemporary Iraq and had its beginnings at the hands of parents Chaldean Syriac Assyrians in Mosul, where the first attempts opus theater in Iraq at the hands of the deacon Hanna Habash, who wrote us three plays called comedy (Adam and Eve, Tobia, Yusuf Hassan) where this gesture is the light of the emergence of the theater and book in Iraq because there began a real and EDTA generations of writers Iraqis they were able to reflect the real life through their writings that expressed awareness of the writer and his aspiration intellectual who provide Bzadeh of its terms of reference the impact and influenced by the reflected across shifts accompanied his career in the field of writing theater, so I Me Find marked by capturing the most prominent of these intellectual transformations in the theatrical text of Iraq.

And it contains four chapters, the first chapter: the research problem that boils Balostvham follows (the intellectual shifts in the Iraqi theater text).

Chapter also included the importance of research and the need for him by the fact that the search proceeds cognitive benefit readers and scholars, also featured a chapter goal of the research focused on identifying intellectual shifts in the theatrical text of Iraq, also included chapter boundaries of research, which identifies temporally period 1950-2006 and spatially in (Iraq) and objective as a study descriptive analysis of intellectual shifts in the text of the Iraqi theater.

Concluding chapter select terminology and definition.

Consisted Chapter II: theoretical framework and previous studies and discussed, where the inclusion of this chapter two sections, Me First Section, (intellectual transformations playwright Iraq), while Me second section (Bmarjaaat playwright Iraq) where the research er three playwrights book Iraqis (Yusuf al-Ani, Qasim Mohammed Falah Shaker) Concluding chapter of the most important indicators that resulted from the theoretical framework and then the previous studies and discussed.

Me Chapter III: The rules and regulations of search where the inclusion of the research community (fifteen text) book (Yusuf al-Ani, Qassim Mohammed, a farmer Shaker) also featured a chapter of the research sample, in terms of selection researcher signed a three texts Iraqi theater is (Ras Shalila) for Yusuf al-Ani, 1951 ( the Yamakan) to Qasim Muhammad 1976 (Paradise opens its doors late) to Falah Shaker 1995-1998.

And deliberate manner and for reasons justified by the researcher, that this play texts selected inherently belong to different stages allowing the researcher detected intellectual shifts in the Iraqi theater text various stages and extended by the limits of research (1950-2006) Also included chapter (Methodology) where Akhtar researcher (descriptive method - content analysis) for suitability for Search The chapter concludes with a tool search and then the analysis of samples.

And ensure that the fourth quarter results, conclusions, recommendations and proposals, and the main findings of the researcher: 1.

approached theatrical texts towards harmonizing the social, political and religious movement by eating various layers of the society in different topics simple language free of complexity.

2.

marked by theatrical texts style vitriol that characterized proceed with the marginal and in the transfer of ideas that seemed the freedom of expression.

3.

relied theatrical texts in the seventies to eat the popular tradition and the old Baghdadi tale and folk sayings through the language easy to play in the formation of the dramatic structure of the textThe research found a set of conclusions, including: 1.

able to play texts in the early fifties approaching from the political scene through the handling and realistic subjects were able to embody and express the Iraqi society issues.

2.

style guide written in the early sixties about giving symbolic and iconographic difficult to understand through the flattening of the events and the lack of an objective analysis.

The researcher would recommend: 1.

stay for authorship novelist and fiction and poetry and theater and support from specialists festivals.

2.

adopt energies Youth promising, particularly in the field of writing and theater work on the development of these energies Bsagl her talent through academic study, which is the only refuge.

The researcher proposed the following studies: 1.

Intellectual and Educational Implications in Husseiniya texts 2.

Technical and educational characteristics in the texts of Children’s Theatre Find bibliography of sources and references have been concluded, the research summary in English.